![]() ![]() ![]() He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Sir Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold." Īngered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called " usury". Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's " The Love Song of J. Eliot, Ernest Hemingway, and James Joyce. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos ( c. Pound photographed in 1913 by Alvin Langdon CoburnĮzra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. For the author who wrote under the pen name William Atheling Jr., see James Blish. ![]()
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